Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
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Motto
Design is how it works & No means sometimes Yes
Japan
Brano
Beres
Design
Strategy, Visual Design, Visual Identity, Market Acquisition, Hero Campaign
Bio
I come from Slovakia, where my journey in design began. After honing my craft through studies, I set out to explore the world, working in Prague, Taipei, and eventually Tokyo. Tokyo, with its unique blend of tradition and modernity, became the place where I could challenge conventions and push boundaries. Starting with a small design studio in Shibuya, I spent a decade refining my craft, digging deep into what makes brands resonate on a human level.
My work isn’t about flashy titles or buzzwords; it’s about getting to the core of what truly matters. I believe that design is more than aesthetics—it’s about creating value that speaks to people on a fundamental level. Over the years, I’ve built a reputation for cutting through the noise and delivering work that doesn’t just look good but makes a real impact. Whether working with clients or developing in-house projects, my focus is on authenticity, purpose, and making design work for real people in the real world.
Through my journey, I’ve stayed true to the values that drove me to start in this field: a relentless pursuit of meaningful work and a commitment to making a difference through design. My path from a design studio in Shibuya to a key figure in the world of brand consulting isn’t just a career trajectory; it’s a testament to what can be achieved when you stay grounded in your principles and keep pushing the boundaries of what’s possible.
Clients
VOLVO, ISUZU, UD TRUCKS, GRAMMARLY, CURAPROX, BENTLEY
Awards
More Speakers and Mentors
Michal
Piernikowski
Polish design consistently marks its presence on global markets, combining diferent perspectives that reflects the cultural context of Poland, while perfectly adapting to the expectations of customers from all over the world. Today polish design not only draws on its history and regional motifs, creatively reinterpreting patterns from the past, but also develops by embracing new values like: innovation, responsibility, resourcefulness, locality, and nostalgia.
Te Ming
Wang
Taiwan's design culture integrates influences from diverse cultures, including Chinese, Japanese, Western, and indigenous elements, creating a unique and multifaceted style. Additionally, Taiwanese designers emphasize refinement and intricacy, often incorporating local cultural elements such as temple fairs, calligraphy, and traditional crafts into their designs, highlighting cultural heritage. The design industry in Taiwan is closely linked with the technology sector, demonstrating competitiveness in UI/UX design and smart product design. These characteristics may not be fully understood or recognized internationally. Furthermore, Taiwanese design is often influenced by social and political contexts, reflecting concerns about issues such as the environment and local identity.
HyoJun
Shim
It's not unique to Korea; a one-sided relationship has no future, so please work with people who respect and acknowledge each other's value.
Jan
Diehl-Michalowski
In Poland, design is still in the development phase and there is currently no one specific dominant style characteristic only of our country. Until recently, we were trying to design correctly, and now we are looking at how to design incorrectly.