Motto

Stay curious

Poland

Zofia

Dzierzawska-Bojanowska

Design

Comics

Bio

Zosia Dzierżawska is an illustrator & comic author from Warsaw, Poland, and a co-founder of Studio Armad’illo, an illustration and graphic design studio based in Milan. She works for a variety of international publishers, using her soft, expressive lines in children’s books, comics and editorial illustration.

Previous collaborations include Oxford University Press, Rizzoli, Candlewick Press, and others. Her works have been awarded twice at the Bologna Children’s Book Fair Illustrators Exhibition, as well as at the Society of Illustrators in New York.

She loves getting her hands dirty with inks, watercolors, greasy pencils, and other traditional media.

Clients

Nobrow, Candlewick Press, I'm Changing, Oxford University Press, The Chopin Museum, The New York Times

Awards

Bologna Children's Book Fair Illustrator's Exhibition (twice),

Society of Illustrators New York Annual (twice),

Sydney Taylor Book Award (US),

Children's Literature Festival (PL)

More Speakers and Mentors

Jan

Diehl-Michalowski

In Poland, design is still in the development phase and there is currently no one specific dominant style characteristic only of our country. Until recently, we were trying to design correctly, and now we are looking at how to design incorrectly.

Ola

Niepsuj

Polish design culture is deeply rooted in a rich tradition of poster art, known as the "Polish School of Poster Art," a movement that combined bold graphics and a strong sense of symbolism to convey complex messages with minimal resources. Contemporary Polish design often draws inspiration from this heritage, including "designing by hand", while blending it with a modern, digital aesthetic.

Yoshiko

Hada

Though this is about illustration, I think there is a tendency to prefer narrative and explanatory elements over visual (graphical ) interest. (But maybe things have changed a bit recently?)

Miroslaw

Klis

In the world of graphic design Poland is known for Polish School of Posters active in 1950s-1980s with expressive solutions based mainly on illustration. In the last years we finally started discovering the unknown heritage in logo design and typography with great masters such as Karol Śliwka, Ryszard Bojar and many more.

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