Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
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Poland
Zofia
Dzierzawska-Bojanowska
Design
Comics
Bio
Zosia Dzierżawska is an illustrator & comic author from Warsaw, Poland, and a co-founder of Studio Armad’illo, an illustration and graphic design studio based in Milan. She works for a variety of international publishers, using her soft, expressive lines in children’s books, comics and editorial illustration.
Previous collaborations include Oxford University Press, Rizzoli, Candlewick Press, and others. Her works have been awarded twice at the Bologna Children’s Book Fair Illustrators Exhibition, as well as at the Society of Illustrators in New York.
She loves getting her hands dirty with inks, watercolors, greasy pencils, and other traditional media.
Clients
Nobrow, Candlewick Press, I'm Changing, Oxford University Press, The Chopin Museum, The New York Times
Awards
Bologna Children's Book Fair Illustrator's Exhibition (twice),
Society of Illustrators New York Annual (twice),
Sydney Taylor Book Award (US),
Children's Literature Festival (PL)
More Speakers and Mentors
Yoshiko
Hada
Though this is about illustration, I think there is a tendency to prefer narrative and explanatory elements over visual (graphical ) interest. (But maybe things have changed a bit recently?)
Ada
Zielinska
People from other countries might not know that the design culture in Poland is deeply rooted in both tradition and innovation. The iconic Polish School of Poster, which emerged in the mid-20th century, remains influential, known for its unique blend of surrealism, symbolism, and minimalism. Another lesser-known aspect is the role of graphic design. While Polish posters have gained international recognition, graphic design, including elements like logos, packaging, and printed materials, has only recently been rediscovered and appreciated. Polish graphic design icons such as Karol Śliwka, Jerzy Treutler, and Roman Duszek are behind these influential works.
Jakub
Kozniewski
We're getting there.
Te Ming
Wang
Taiwan's design culture integrates influences from diverse cultures, including Chinese, Japanese, Western, and indigenous elements, creating a unique and multifaceted style. Additionally, Taiwanese designers emphasize refinement and intricacy, often incorporating local cultural elements such as temple fairs, calligraphy, and traditional crafts into their designs, highlighting cultural heritage. The design industry in Taiwan is closely linked with the technology sector, demonstrating competitiveness in UI/UX design and smart product design. These characteristics may not be fully understood or recognized internationally. Furthermore, Taiwanese design is often influenced by social and political contexts, reflecting concerns about issues such as the environment and local identity.