Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
© 2024 Polish Graphic Design Foundation. All rights reserved.
Motto
Paul Rand: Without play, there would be no Picasso. Without play, there is no experimentation. Experimentation is the quest for answers.
Poland
Ola
Niepsuj
Design
Graphic Design
Bio
Ola Niepsuj is an internationally recognized and award-winning graphic designer, illustrator and art director.
Her work bridges the worlds of commercial and fine art and has been published by some of the world’s leading brands, newspapers, magazines, and publishers. Her work has been shown at over 200 exhibitions in 34 countries, she has won and been nominated for over 30 international awards and prizes.
Ola’s style is inspired by her observations of daily life, in the interesting juxtapositions of urban visual culture, and the creative possibilities of chance and coincidence. Her unique process is based on working by hand with paper; a process that lends her works a playful, tactile, and multidimensional quality when translated to digital format.
Clients
Adidas, Levi's, Nike, IKEA, Disney, Warner Music, New York Times
Awards
Red Dot, International Design Awards, Society of Illustrators, American Illustration, British Book Design and Production Awards,Polish Graphic Design Awards, Advertisement Creators’ Club, The Academy of British Cover Design Award, Art in Architecture
More Speakers and Mentors
Youl
Joe
History of Korean design and Hangul(Korean Letter), conservatism of Korean culture.
Ian
Lynam
There are three different reading directions for typeset Japanese!
Ada
Zielinska
People from other countries might not know that the design culture in Poland is deeply rooted in both tradition and innovation. The iconic Polish School of Poster, which emerged in the mid-20th century, remains influential, known for its unique blend of surrealism, symbolism, and minimalism. Another lesser-known aspect is the role of graphic design. While Polish posters have gained international recognition, graphic design, including elements like logos, packaging, and printed materials, has only recently been rediscovered and appreciated. Polish graphic design icons such as Karol Śliwka, Jerzy Treutler, and Roman Duszek are behind these influential works.
Yoshiko
Hada
Though this is about illustration, I think there is a tendency to prefer narrative and explanatory elements over visual (graphical ) interest. (But maybe things have changed a bit recently?)