Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
© 2024 Polish Graphic Design Foundation. All rights reserved.
Motto
Paul Rand: Without play, there would be no Picasso. Without play, there is no experimentation. Experimentation is the quest for answers.
Poland
Ola
Niepsuj
Design
Graphic Design
Bio
Ola Niepsuj is an internationally recognized and award-winning graphic designer, illustrator and art director.
Her work bridges the worlds of commercial and fine art and has been published by some of the world’s leading brands, newspapers, magazines, and publishers. Her work has been shown at over 200 exhibitions in 34 countries, she has won and been nominated for over 30 international awards and prizes.
Ola’s style is inspired by her observations of daily life, in the interesting juxtapositions of urban visual culture, and the creative possibilities of chance and coincidence. Her unique process is based on working by hand with paper; a process that lends her works a playful, tactile, and multidimensional quality when translated to digital format.
Clients
Adidas, Levi's, Nike, IKEA, Disney, Warner Music, New York Times
Awards
Red Dot, International Design Awards, Society of Illustrators, American Illustration, British Book Design and Production Awards,Polish Graphic Design Awards, Advertisement Creators’ Club, The Academy of British Cover Design Award, Art in Architecture
More Speakers and Mentors
Zofia
Dzierzawska-Bojanowska
Polish design history has been very tumuluous and directly related to the country's history and political systems.
Te Ming
Wang
Taiwan's design culture integrates influences from diverse cultures, including Chinese, Japanese, Western, and indigenous elements, creating a unique and multifaceted style. Additionally, Taiwanese designers emphasize refinement and intricacy, often incorporating local cultural elements such as temple fairs, calligraphy, and traditional crafts into their designs, highlighting cultural heritage. The design industry in Taiwan is closely linked with the technology sector, demonstrating competitiveness in UI/UX design and smart product design. These characteristics may not be fully understood or recognized internationally. Furthermore, Taiwanese design is often influenced by social and political contexts, reflecting concerns about issues such as the environment and local identity.
Youl
Joe
History of Korean design and Hangul(Korean Letter), conservatism of Korean culture.
Mateusz
Machalski
I think that Polish design is mainly associated with the Polish school of posters – and this is definitely superficial, because we had very good illustrators and an extremely interesting history of typography and the geopolitical changes that influenced its development.