Motto

Paul Rand: Without play, there would be no Picasso. Without play, there is no experimentation. Experimentation is the quest for answers.

Poland

Ola

Niepsuj

Design

Graphic Design

Bio

Ola Niepsuj is an internationally recognized and award-winning graphic designer, illustrator and art director.

Her work bridges the worlds of commercial and fine art and has been published by some of the world’s leading brands, newspapers, magazines, and publishers. Her work has been shown at over 200 exhibitions in 34 countries, she has won and been nominated for over 30 international awards and prizes.

Ola’s style is inspired by her observations of daily life, in the interesting juxtapositions of urban visual culture, and the creative possibilities of chance and coincidence. Her unique process is based on working by hand with paper; a process that lends her works a playful, tactile, and multidimensional quality when translated to digital format.

Clients

Adidas, Levi's, Nike, IKEA, Disney, Warner Music, New York Times

Awards

Red Dot, International Design Awards, Society of Illustrators, American Illustration, British Book Design and Production Awards,Polish Graphic Design Awards, Advertisement Creators’ Club, The Academy of British Cover Design Award, Art in Architecture

More Speakers and Mentors

Yui

Takada

The typsetting is unique. The ability to use hiragana, katakana, kanji, and alphanumeric characters in both vertical and horizontal writing is, we feel, unique in Japanese design culture.

Daeki

Shim

It's not unique to Korea; a one-sided relationship has no future, so please work with people who respect and acknowledge each other's value.

Mateusz

Machalski

I think that Polish design is mainly associated with the Polish school of posters – and this is definitely superficial, because we had very good illustrators and an extremely interesting history of typography and the geopolitical changes that influenced its development.

Ola

Niepsuj

Polish design culture is deeply rooted in a rich tradition of poster art, known as the "Polish School of Poster Art," a movement that combined bold graphics and a strong sense of symbolism to convey complex messages with minimal resources. Contemporary Polish design often draws inspiration from this heritage, including "designing by hand", while blending it with a modern, digital aesthetic.

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