Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
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Motto
I work with people who respect and acknowledge each other's value, and in the future, everything will turn out as we envision it.
South Korea
Daeki
Shim
Design
Graphic Design, Branding, Typography
Bio
Daeki Shim is a co-founder of the graphic design studio DAEKI & JUN. As a co-founder, he has been recognized for his work and has won over 100 awards at international design competitions and biennales. Notably, he won the Grand Prix at the 2017 Red Dot Design Award, the Judge’s Choice Award at the 2017 Society of Typographic Arts (STA100) in Chicago, and the Platinum & Gold Awards at the Graphis Annual in 2016 and 2017.
He holds a bachelor's degree in Graphic Design from the University of the Arts London (UAL), a master's degree in Digital Anthropology from University College London (UCL), and a doctoral degree in Design from Seoul National University. He is currently an adjunct professor at Korea National University of Arts, Sejong University, and Seoul Tech University. Additionally, he has served in various prominent roles, including design director and flag exhibition curator for the ‹2021 Wave: East Sea International Art Pre-Biennale›, planning steering committee member for the ‹2019 DDP Design Fair›, director and curator of ‹2018 DDP Seoul Design Brand: Communication Tools›, and chief curator for ‹Typojanchi 2017: International Typography Biennale›, among other positions.
He has participated in over 60 exhibitions at a variety of institutions, including the German Red Dot Design Museum, Die Neue Sammlung (Munich, Germany), Le Signe National Center for Graphic Design (Chaumont, France), 019 (Ghent, Belgium), Ginza Graphic Gallery (GGG, Tokyo, Japan), Hangaram Art Museum at the Seoul Arts Center, Sejong Museum of Art, the National Hangeul Museum, and Culture Station Seoul 284. His work is included in the collections of Die Neue Sammlung, the German Red Dot Design Museum, 019, and the National Hangeul Museum.
Clients
Dongdaemun Design Plaza(DDP), Seoul Design Foundation, Seoul Metropolitan Government, Gangwon State Office, Gangwon Institute of Design Promotion
Awards
Red Dot Design Award, STA(Society of Typographic Arts) 100, Graphis Annual, Tokyo TDC Annual Award, New York TDC(Type Directors Club), Good Design Award, Moscow Global Biennale of Graphic Design Golden Bee, Ecuador Poster Biennale, Brno International Biennial of Graphic Design, Bienal Internacional del Cartel en México, and etc
More Speakers and Mentors
Ola
Niepsuj
Polish design culture is deeply rooted in a rich tradition of poster art, known as the "Polish School of Poster Art," a movement that combined bold graphics and a strong sense of symbolism to convey complex messages with minimal resources. Contemporary Polish design often draws inspiration from this heritage, including "designing by hand", while blending it with a modern, digital aesthetic.
Zofia
Dzierzawska-Bojanowska
Polish design history has been very tumuluous and directly related to the country's history and political systems.
Miroslaw
Klis
In the world of graphic design Poland is known for Polish School of Posters active in 1950s-1980s with expressive solutions based mainly on illustration. In the last years we finally started discovering the unknown heritage in logo design and typography with great masters such as Karol Śliwka, Ryszard Bojar and many more.
Oksana
Shmygol
While the most known and celebrated inspirations from the Polish graphic design history is the 1950-80s Polish School of Posters, there is also a less known history of great logo design and typography, which we only started discovering recently. Nowadays Poland has amazing and internationally renowned designers in different fields - illustration, branding, typography and more. The community of professionals - individual designers and studios - is strong and friendly, we learn from each other and give each other advice, but also consciously build market standards together.