Motto

Everything is very uncertain and that's what calms me down - Moomins, Tove Jansson

Poland

Martyna

Blaszczyk

Design

Sustainability, Social Design, Solutions for the City

Bio

Art historian, continuing her scientific work as part of her doctorate, focusing on issues related to intercultural dialogue, hybridity of art and the problem of cultural identity.

Professionally associated with Tri-City cultural institutions since 2014. Since 2020, a member of the Gdynia Design Days team and PPNT Gdynia | Design Center. Curator of exhibitions, manager of exhibition program for the festival, manager of the MANUBA project, author of articles on design and history of art.

Clients

MANUBA project, Long Live Design Exhibition, Creative Circular Cities EU project, Gdynia Design Days exhibitions, IKEA partnership, Porsche partnership

Awards
More Speakers and Mentors

Ksawery

Komputery

Poland's design culture is deeply rooted in its rich history and traditions, blending modern aesthetics with folk art. One aspect that people from other countries might not know is the strong influence of Polish Poster Art, which emerged in the mid-20th century and is characterized by its unique combination of simplicity, bold colors, and surreal elements. Additionally, Polish designers often draw inspiration from the country's turbulent history and diverse architecture, creating works that are both innovative and reflective of Poland's cultural heritage.

Yui

Takada

The typsetting is unique. The ability to use hiragana, katakana, kanji, and alphanumeric characters in both vertical and horizontal writing is, we feel, unique in Japanese design culture.

Lars

Harmsen

Many people think we Germans are perfect. What nonsense!

Te Ming

Wang

Taiwan's design culture integrates influences from diverse cultures, including Chinese, Japanese, Western, and indigenous elements, creating a unique and multifaceted style. Additionally, Taiwanese designers emphasize refinement and intricacy, often incorporating local cultural elements such as temple fairs, calligraphy, and traditional crafts into their designs, highlighting cultural heritage. The design industry in Taiwan is closely linked with the technology sector, demonstrating competitiveness in UI/UX design and smart product design. These characteristics may not be fully understood or recognized internationally. Furthermore, Taiwanese design is often influenced by social and political contexts, reflecting concerns about issues such as the environment and local identity.

© 2024 Polish Graphic Design Foundation. All rights reserved.