Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four

Sustainability, Social Design, Solutions for the City
Art historian, continuing her scientific work as part of her doctorate, focusing on issues related to intercultural dialogue, hybridity of art and the problem of cultural identity.
Professionally associated with Tri-City cultural institutions since 2014. Since 2020, a member of the Gdynia Design Days team and PPNT Gdynia | Design Center. Curator of exhibitions, manager of exhibition program for the festival, manager of the MANUBA project, author of articles on design and history of art.
MANUBA project, Long Live Design Exhibition, Creative Circular Cities EU project, Gdynia Design Days exhibitions, IKEA partnership, Porsche partnership

In the world of graphic design Poland is known for Polish School of Posters active in 1950s-1980s with expressive solutions based mainly on illustration. In the last years we finally started discovering the unknown heritage in logo design and typography with great masters such as Karol Śliwka, Ryszard Bojar and many more.

History of Korean design and Hangul(Korean Letter), conservatism of Korean culture.

Though this is about illustration, I think there is a tendency to prefer narrative and explanatory elements over visual (graphical ) interest. (But maybe things have changed a bit recently?)

It's not unique to Korea; a one-sided relationship has no future, so please work with people who respect and acknowledge each other's value.