Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four

Sustainability, Social Design, Solutions for the City
Art historian, continuing her scientific work as part of her doctorate, focusing on issues related to intercultural dialogue, hybridity of art and the problem of cultural identity.
Professionally associated with Tri-City cultural institutions since 2014. Since 2020, a member of the Gdynia Design Days team and PPNT Gdynia | Design Center. Curator of exhibitions, manager of exhibition program for the festival, manager of the MANUBA project, author of articles on design and history of art.
MANUBA project, Long Live Design Exhibition, Creative Circular Cities EU project, Gdynia Design Days exhibitions, IKEA partnership, Porsche partnership

In Poland, design is still in the development phase and there is currently no one specific dominant style characteristic only of our country. Until recently, we were trying to design correctly, and now we are looking at how to design incorrectly.

Many people think we Germans are perfect. What nonsense!

Polish design history has been very tumuluous and directly related to the country's history and political systems.

I think that Polish design is mainly associated with the Polish school of posters – and this is definitely superficial, because we had very good illustrators and an extremely interesting history of typography and the geopolitical changes that influenced its development.