Motto

Japan

Min-Young

Kim

Design

Typography Research and Consultation, Type Design Development, CJK-Latin Specialist

Bio

Min-Young Kim is a trilingual typography consultant, project manager, and a researcher specializing in CJK-Latin typography.

After completing her Master's degree at Musashino Art University on history & modern usages of CJK-Latin multiscript typesetting, Min developed her career in font business as a type project manager at Japanese type foundries: Morisawa and Fontworks.

She established Studio Em Dash in 2020, with a focus on multiscript type development and typographical consultancy.

Clients

Google Fonts, Adobe, DINAMO Type Foundry

Awards
More Speakers and Mentors

Ola

Niepsuj

Polish design culture is deeply rooted in a rich tradition of poster art, known as the "Polish School of Poster Art," a movement that combined bold graphics and a strong sense of symbolism to convey complex messages with minimal resources. Contemporary Polish design often draws inspiration from this heritage, including "designing by hand", while blending it with a modern, digital aesthetic.

Yoshiko

Hada

Though this is about illustration, I think there is a tendency to prefer narrative and explanatory elements over visual (graphical ) interest. (But maybe things have changed a bit recently?)

Ksawery

Komputery

Poland's design culture is deeply rooted in its rich history and traditions, blending modern aesthetics with folk art. One aspect that people from other countries might not know is the strong influence of Polish Poster Art, which emerged in the mid-20th century and is characterized by its unique combination of simplicity, bold colors, and surreal elements. Additionally, Polish designers often draw inspiration from the country's turbulent history and diverse architecture, creating works that are both innovative and reflective of Poland's cultural heritage.

Oksana

Shmygol

While the most known and celebrated inspirations from the Polish graphic design history is the 1950-80s Polish School of Posters, there is also a less known history of great logo design and typography, which we only started discovering recently. Nowadays Poland has amazing and internationally renowned designers in different fields - illustration, branding, typography and more. The community of professionals - individual designers and studios - is strong and friendly, we learn from each other and give each other advice, but also consciously build market standards together.

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