Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
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Motto
Japan
Yuri
Uenishi
Design
Bio
Born in Tokyo in 1987, Uenishi graduated from Tama Art University and joined Dentsu in 2010. She then started working independently in 2021, established in hokkyoku co., ltd.. Her works cover various fields, including branding, campaigning, images, spaces, books and magazines. Her past works include the poster of the World Table Tennis Championships 2015, graphic design for the exhibition "The Year 2121: Futures In-Sight," LAFORET GRAND BAZAR SUMMER 2018 & 2019, and after, and magazine Kohkoku (published by Hakuhodo.) She has won many awards, including the Cannes Lions Gold, NYADC Gold, D&AD Gold, Tokyo ADC Award, and JAGDA New Designer Award.
Clients
DENTSU INC., HAKUHODO Inc., Mori Building Co., Ltd., 21_21 DESIGN SHIGHT inc., JAGDA...
Awards
JP
- TOKYO ADC Prize
- JAGDA Prize
- JAGDA New Designer Prize
- International Poster Triennial In Toyama 15 _ Silver
- ACC Grand Prix
- GOOD DESIGN AWARD BEST 100
- 朝日広告賞 準Grand Prix
FOREIN
- D&AD _ Gold
- NY ADC _ Gold
- CANNES LIONS _ Gold
- CANNES YOUNG LIONS _ Gold
- ONE SHOW _ Silver
- CLIO AWARD _Gold
More Speakers and Mentors
Bartlomiej
Witanski
I have the impression that design culture in Poland has been changing in a good way over the last few years. Increasingly, clients see value in what we do and appreciate it. Of course, there will also be people who do not fully value our work, in which case it is better to let such a project go.
Mateusz
Machalski
I think that Polish design is mainly associated with the Polish school of posters – and this is definitely superficial, because we had very good illustrators and an extremely interesting history of typography and the geopolitical changes that influenced its development.
Dohee
Lee
As someone who studied design at a university in Korea, I’ve observed that there are a vast number of design schools in the country. Considering Korea's population size, the number of design graduates is quite substantial. I find this to be an interesting fact when it comes to understanding the Korean design scene.
Ian
Lynam
There are three different reading directions for typeset Japanese!