Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
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Motto
South Korea
Moa
Ku
Design
Calligraphy
Bio
As a type designer at Sandoll, I worked on and designed various font projects as a senior researcher and team leader at AG Typography Institute.
I am currently the CEO and type designer of graphic studio 'woooa', conducting research on types and teaching type design.
Clients
Happiness Sans, 87MM ILSANG, AG Choi Jungho Screen, Sandoll LateSpring, Sandoll GyeokdongMyeongjo
Awards
Granshan, Red Dot Design Award
More Speakers and Mentors
Daeki
Shim
It's not unique to Korea; a one-sided relationship has no future, so please work with people who respect and acknowledge each other's value.
Bartlomiej
Witanski
I have the impression that design culture in Poland has been changing in a good way over the last few years. Increasingly, clients see value in what we do and appreciate it. Of course, there will also be people who do not fully value our work, in which case it is better to let such a project go.
Michal
Piernikowski
Polish design consistently marks its presence on global markets, combining diferent perspectives that reflects the cultural context of Poland, while perfectly adapting to the expectations of customers from all over the world. Today polish design not only draws on its history and regional motifs, creatively reinterpreting patterns from the past, but also develops by embracing new values like: innovation, responsibility, resourcefulness, locality, and nostalgia.
Lars
Harmsen
Many people think we Germans are perfect. What nonsense!