Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
Calligraphy
As a type designer at Sandoll, I worked on and designed various font projects as a senior researcher and team leader at AG Typography Institute.
I am currently the CEO and type designer of graphic studio 'woooa', conducting research on types and teaching type design.
Happiness Sans, 87MM ILSANG, AG Choi Jungho Screen, Sandoll LateSpring, Sandoll GyeokdongMyeongjo
Granshan, Red Dot Design Award
It's not unique to Korea; a one-sided relationship has no future, so please work with people who respect and acknowledge each other's value.
History of Korean design and Hangul(Korean Letter), conservatism of Korean culture.
Polish design consistently marks its presence on global markets, combining diferent perspectives that reflects the cultural context of Poland, while perfectly adapting to the expectations of customers from all over the world. Today polish design not only draws on its history and regional motifs, creatively reinterpreting patterns from the past, but also develops by embracing new values like: innovation, responsibility, resourcefulness, locality, and nostalgia.
Taiwan's design culture integrates influences from diverse cultures, including Chinese, Japanese, Western, and indigenous elements, creating a unique and multifaceted style. Additionally, Taiwanese designers emphasize refinement and intricacy, often incorporating local cultural elements such as temple fairs, calligraphy, and traditional crafts into their designs, highlighting cultural heritage. The design industry in Taiwan is closely linked with the technology sector, demonstrating competitiveness in UI/UX design and smart product design. These characteristics may not be fully understood or recognized internationally. Furthermore, Taiwanese design is often influenced by social and political contexts, reflecting concerns about issues such as the environment and local identity.