Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
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Motto
South Korea
Moa
Ku
Design
Calligraphy
Bio
As a type designer at Sandoll, I worked on and designed various font projects as a senior researcher and team leader at AG Typography Institute.
I am currently the CEO and type designer of graphic studio 'woooa', conducting research on types and teaching type design.
Clients
Happiness Sans, 87MM ILSANG, AG Choi Jungho Screen, Sandoll LateSpring, Sandoll GyeokdongMyeongjo
Awards
Granshan, Red Dot Design Award
More Speakers and Mentors
Ola
Niepsuj
Polish design culture is deeply rooted in a rich tradition of poster art, known as the "Polish School of Poster Art," a movement that combined bold graphics and a strong sense of symbolism to convey complex messages with minimal resources. Contemporary Polish design often draws inspiration from this heritage, including "designing by hand", while blending it with a modern, digital aesthetic.
Lars
Harmsen
Many people think we Germans are perfect. What nonsense!
Yoshiko
Hada
Though this is about illustration, I think there is a tendency to prefer narrative and explanatory elements over visual (graphical ) interest. (But maybe things have changed a bit recently?)
Mateusz
Machalski
I think that Polish design is mainly associated with the Polish school of posters – and this is definitely superficial, because we had very good illustrators and an extremely interesting history of typography and the geopolitical changes that influenced its development.