Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
© 2024 Polish Graphic Design Foundation. All rights reserved.
Motto
We must rethink design’s role in society by embracing inclusive, ethical, and community-driven practices. Design should promote justice, healing, and connection to nature, moving beyond sustainability toward regeneration. Our work must support a more equitable and ecological future for all.
Poland / Indonesia
Kuki
Iwanski
Design
Illustration
Bio
Kuki, born on 1985, involved in poster design, branding, and illustration. His work thrives on spontaneity, but don’t be fooled—it’s all about balance and order. With influences from Neo-Plasticism and Bauhaus, Kuki’s style leans into clean, geometric shapes that keep things fresh and modern.
He’s all about ditching realism for abstract forms, creating designs where simplicity rules. You’ll see shapes overlap, but never fully hide, keeping things visually engaging without getting too chaotic. Kuki’s design journey is all about experimenting without losing his cool.
He believes good design can come from anywhere—whether it’s branding, prints, or commercial projects. With a bit of intuition and a dash of creativity, he blends fun with functionality, proving design can be thoughtful without being overly serious.
Clients
Netflix, Warner Bros Discovery, Wordbank, Heineken, Studio, Malta
Awards
European Design Awards, China International Poster Biennale, Polish Film Festival, Oesol International Typography Award, B.I International Poster Art Biennale, Communication Arts, International China Poster Biennale, TDC Annual Awards
More Speakers and Mentors
Ola
Niepsuj
Polish design culture is deeply rooted in a rich tradition of poster art, known as the "Polish School of Poster Art," a movement that combined bold graphics and a strong sense of symbolism to convey complex messages with minimal resources. Contemporary Polish design often draws inspiration from this heritage, including "designing by hand", while blending it with a modern, digital aesthetic.
Zofia
Dzierzawska-Bojanowska
Polish design history has been very tumuluous and directly related to the country's history and political systems.
Daeki
Shim
It's not unique to Korea; a one-sided relationship has no future, so please work with people who respect and acknowledge each other's value.
Patryk
Hardziej
In Poland after World War II, many designers were active in creating graphic symbols. Due to specific political conditions, these projects could be much more free and artistic than in the West. Besides the Polish poster, it is the graphic symbol that is particularly noteworthy when it comes to design in Poland.