Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
Illustration
Kuki, born on 1985, involved in poster design, branding, and illustration. His work thrives on spontaneity, but don’t be fooled—it’s all about balance and order. With influences from Neo-Plasticism and Bauhaus, Kuki’s style leans into clean, geometric shapes that keep things fresh and modern.
He’s all about ditching realism for abstract forms, creating designs where simplicity rules. You’ll see shapes overlap, but never fully hide, keeping things visually engaging without getting too chaotic. Kuki’s design journey is all about experimenting without losing his cool.
He believes good design can come from anywhere—whether it’s branding, prints, or commercial projects. With a bit of intuition and a dash of creativity, he blends fun with functionality, proving design can be thoughtful without being overly serious.
Netflix, Warner Bros Discovery, Wordbank, Heineken, Studio, Malta
European Design Awards, China International Poster Biennale, Polish Film Festival, Oesol International Typography Award, B.I International Poster Art Biennale, Communication Arts, International China Poster Biennale, TDC Annual Awards
The typsetting is unique. The ability to use hiragana, katakana, kanji, and alphanumeric characters in both vertical and horizontal writing is, we feel, unique in Japanese design culture.
History of Korean design and Hangul(Korean Letter), conservatism of Korean culture.
Polish design culture is deeply rooted in a rich tradition of poster art, known as the "Polish School of Poster Art," a movement that combined bold graphics and a strong sense of symbolism to convey complex messages with minimal resources. Contemporary Polish design often draws inspiration from this heritage, including "designing by hand", while blending it with a modern, digital aesthetic.
We're getting there.