Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
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Motto
Rafal
Gosieniecki
Design
Bio
広告、コミック、ゲーム業界で活動するイラストレーター兼コンセプトアーティストです。
クライアントには、ポケモンXYのコンセプトアーティスト（ゲームフリーク）、ロリポップチェーンソーのリードコンセプトアーティストなどが含まれます。
Clients
Awards
More Speakers and Mentors
Michal
Piernikowski
Polish design consistently marks its presence on global markets, combining diferent perspectives that reflects the cultural context of Poland, while perfectly adapting to the expectations of customers from all over the world. Today polish design not only draws on its history and regional motifs, creatively reinterpreting patterns from the past, but also develops by embracing new values like: innovation, responsibility, resourcefulness, locality, and nostalgia.
Yoshiko
Hada
Though this is about illustration, I think there is a tendency to prefer narrative and explanatory elements over visual (graphical ) interest. (But maybe things have changed a bit recently?)
Miroslaw
Klis
In the world of graphic design Poland is known for Polish School of Posters active in 1950s-1980s with expressive solutions based mainly on illustration. In the last years we finally started discovering the unknown heritage in logo design and typography with great masters such as Karol Śliwka, Ryszard Bojar and many more.
Youl
Joe
History of Korean design and Hangul(Korean Letter), conservatism of Korean culture.