Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
広告、コミック、ゲーム業界で活動するイラストレーター兼コンセプトアーティストです。
クライアントには、ポケモンXYのコンセプトアーティスト(ゲームフリーク)、ロリポップチェーンソーのリードコンセプトアーティストなどが含まれます。
Though this is about illustration, I think there is a tendency to prefer narrative and explanatory elements over visual (graphical ) interest. (But maybe things have changed a bit recently?)
It's not unique to Korea; a one-sided relationship has no future, so please work with people who respect and acknowledge each other's value.
In the world of graphic design Poland is known for Polish School of Posters active in 1950s-1980s with expressive solutions based mainly on illustration. In the last years we finally started discovering the unknown heritage in logo design and typography with great masters such as Karol Śliwka, Ryszard Bojar and many more.
Polish design culture is deeply rooted in a rich tradition of poster art, known as the "Polish School of Poster Art," a movement that combined bold graphics and a strong sense of symbolism to convey complex messages with minimal resources. Contemporary Polish design often draws inspiration from this heritage, including "designing by hand", while blending it with a modern, digital aesthetic.