Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
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Motto
Nothing is Simple.
Poland
Jakub
Kozniewski
Design
art in public space
Bio
panGenerator is a new media art & design collective based in Warsaw, Poland, (Krzysztof Cybulski, Krzysztof Goliński and Jakub Koźniewski). Since 2010 the group creates unique projects exploring new means of creative expression and interaction with the audience.
Their works are characterised by blending ephemeral digital realm with physical world. panGenerator is mixing bits & atoms to create audience-engaging, dynamic and tangible experiences in opposition to typically static, hermetic and unapproachable conventions prevalent to traditional, mainstream “modern art” practice.
panGenerator blurs the common divisions between art, design and engineering, creating large scale interactive installations commissioned by cultural institutions and commercial brands as well as purely experimental musical interfaces or speculative and critical pieces of art. Apart from their creative endeavours, the members of the group are engaged in various education initiatives, providing workshops and lectures on new media art and technology worldwide.
Clients
TENCENT (Shimmering Pulse), (Szczecin Philharmonic) Spiralalala, Pilecki Institut Berlin (EROSION), Disney (Mickeyphon), Copernicus Science Center (The Abacus), Katowice City of Gardens (The Wall of Sound), Adam Mickeiwicz Institute (Apparatum)
Awards
Cannes Golden Lions
PrixArs - Ars Electronica
KTR
PGDA
POLITYKA "Passports"
LUMEN PRIZE shortlist
More Speakers and Mentors
Ian
Lynam
There are three different reading directions for typeset Japanese!
Te Ming
Wang
Taiwan's design culture integrates influences from diverse cultures, including Chinese, Japanese, Western, and indigenous elements, creating a unique and multifaceted style. Additionally, Taiwanese designers emphasize refinement and intricacy, often incorporating local cultural elements such as temple fairs, calligraphy, and traditional crafts into their designs, highlighting cultural heritage. The design industry in Taiwan is closely linked with the technology sector, demonstrating competitiveness in UI/UX design and smart product design. These characteristics may not be fully understood or recognized internationally. Furthermore, Taiwanese design is often influenced by social and political contexts, reflecting concerns about issues such as the environment and local identity.
Miroslaw
Klis
In the world of graphic design Poland is known for Polish School of Posters active in 1950s-1980s with expressive solutions based mainly on illustration. In the last years we finally started discovering the unknown heritage in logo design and typography with great masters such as Karol Śliwka, Ryszard Bojar and many more.
Bartlomiej
Witanski
I have the impression that design culture in Poland has been changing in a good way over the last few years. Increasingly, clients see value in what we do and appreciate it. Of course, there will also be people who do not fully value our work, in which case it is better to let such a project go.