Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four

TOKYO CREATIVE SALON, Laforet Harajuku, HOTEL GROOVE, Mercedes-Benz, ISSEY MIYAKE, oltana, NIPPON PAINT, Osaka University of Arts, Fender

We're getting there.

It's not unique to Korea; a one-sided relationship has no future, so please work with people who respect and acknowledge each other's value.

I think that Polish design is mainly associated with the Polish school of posters – and this is definitely superficial, because we had very good illustrators and an extremely interesting history of typography and the geopolitical changes that influenced its development.

I have the impression that design culture in Poland has been changing in a good way over the last few years. Increasingly, clients see value in what we do and appreciate it. Of course, there will also be people who do not fully value our work, in which case it is better to let such a project go.