Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
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Motto
I would like to express myself in ways that I have never seen before. I will also make sure to include an experimental element somewhere. Even if it is not visual, I believe it is possible to do so with ideas and so on.
Japan
Yui
Takada
Design
Bio
Graphic designer. Director of Allright-Inc.
Graduated from Kuwasawa Design School.
Established "Allright Graphics" with Takada Nobukuni and Takada Mai in 2006.
Professor at Tokyo Zokei University.
Clients
All important.
Awards
Received the
2011 JAGDA New Design Award,
2015 Kuwasawa Award,
2015 JAPAN PACKAGE DESIGN AWARDS,
2019 Tokyo ADC Award,
2020 Tokyo TDC Award
More Speakers and Mentors
Ksawery
Komputery
Poland's design culture is deeply rooted in its rich history and traditions, blending modern aesthetics with folk art. One aspect that people from other countries might not know is the strong influence of Polish Poster Art, which emerged in the mid-20th century and is characterized by its unique combination of simplicity, bold colors, and surreal elements. Additionally, Polish designers often draw inspiration from the country's turbulent history and diverse architecture, creating works that are both innovative and reflective of Poland's cultural heritage.
Daeki
Shim
It's not unique to Korea; a one-sided relationship has no future, so please work with people who respect and acknowledge each other's value.
Yui
Takada
The typsetting is unique. The ability to use hiragana, katakana, kanji, and alphanumeric characters in both vertical and horizontal writing is, we feel, unique in Japanese design culture.
Patryk
Hardziej
In Poland after World War II, many designers were active in creating graphic symbols. Due to specific political conditions, these projects could be much more free and artistic than in the West. Besides the Polish poster, it is the graphic symbol that is particularly noteworthy when it comes to design in Poland.