Motto

I would like to express myself in ways that I have never seen before. I will also make sure to include an experimental element somewhere. Even if it is not visual, I believe it is possible to do so with ideas and so on.

Japan

Yui

Takada

Design

Bio

Graphic designer. Director of Allright-Inc.

Graduated from Kuwasawa Design School.

Established "Allright Graphics" with Takada Nobukuni and Takada Mai in 2006.

Professor at Tokyo Zokei University.

Clients

All important.

Awards

Received the

2011 JAGDA New Design Award,

2015 Kuwasawa Award,

2015 JAPAN PACKAGE DESIGN AWARDS,

2019 Tokyo ADC Award,

2020 Tokyo TDC Award

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Te Ming

Wang

Taiwan's design culture integrates influences from diverse cultures, including Chinese, Japanese, Western, and indigenous elements, creating a unique and multifaceted style. Additionally, Taiwanese designers emphasize refinement and intricacy, often incorporating local cultural elements such as temple fairs, calligraphy, and traditional crafts into their designs, highlighting cultural heritage. The design industry in Taiwan is closely linked with the technology sector, demonstrating competitiveness in UI/UX design and smart product design. These characteristics may not be fully understood or recognized internationally. Furthermore, Taiwanese design is often influenced by social and political contexts, reflecting concerns about issues such as the environment and local identity.

Lars

Harmsen

Many people think we Germans are perfect. What nonsense!

Ada

Zielinska

People from other countries might not know that the design culture in Poland is deeply rooted in both tradition and innovation. The iconic Polish School of Poster, which emerged in the mid-20th century, remains influential, known for its unique blend of surrealism, symbolism, and minimalism. Another lesser-known aspect is the role of graphic design. While Polish posters have gained international recognition, graphic design, including elements like logos, packaging, and printed materials, has only recently been rediscovered and appreciated. Polish graphic design icons such as Karol Śliwka, Jerzy Treutler, and Roman Duszek are behind these influential works.

Oksana

Shmygol

While the most known and celebrated inspirations from the Polish graphic design history is the 1950-80s Polish School of Posters, there is also a less known history of great logo design and typography, which we only started discovering recently. Nowadays Poland has amazing and internationally renowned designers in different fields - illustration, branding, typography and more. The community of professionals - individual designers and studios - is strong and friendly, we learn from each other and give each other advice, but also consciously build market standards together.

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