Motto

Poland

Marian

Misiak

Design

Editorial Design, Publishing, Activism

Bio

A type designer and researcher, Marian Misiak is also a co-author of "Paneuropa, Kometa, Hel", a book about the history of Polish typography.

Working primarily for Polish cultural institutions, he designed a new visual identity for the National Museum of Wroclaw and U'jazdowski Centre for Contemporary Art.'

He is also a co-author of the new logo of Warsaw Public Transport.'After years of activity in a local field as a designer, guest lecturer and writer, he focused on type design and developing his own type foundry, threedotstype.com. Misiak is not afraid of jet lag and is interested in cross-cultural and experimental type design.

Clients

Awards

The most beautiful Polish Books, Polish Graphic Design Awards, Type Directors Club

More Speakers and Mentors

Yui

Takada

The typsetting is unique. The ability to use hiragana, katakana, kanji, and alphanumeric characters in both vertical and horizontal writing is, we feel, unique in Japanese design culture.

Ksawery

Komputery

Poland's design culture is deeply rooted in its rich history and traditions, blending modern aesthetics with folk art. One aspect that people from other countries might not know is the strong influence of Polish Poster Art, which emerged in the mid-20th century and is characterized by its unique combination of simplicity, bold colors, and surreal elements. Additionally, Polish designers often draw inspiration from the country's turbulent history and diverse architecture, creating works that are both innovative and reflective of Poland's cultural heritage.

Bartlomiej

Witanski

I have the impression that design culture in Poland has been changing in a good way over the last few years. Increasingly, clients see value in what we do and appreciate it. Of course, there will also be people who do not fully value our work, in which case it is better to let such a project go.

Ian

Lynam

There are three different reading directions for typeset Japanese!

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