Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
© 2024 Polish Graphic Design Foundation. All rights reserved.
Motto
More feelings and less thinking. Be grateful. Trust yourself. Love your family and friends.
Germany
Lars
Harmsen
Design
Teaching, Typography
Bio
Prof. Lars Harmsen is creative director and partner of Munich-based agency Melville Brand Design and initiator & head of Slanted Publishers, co-founded in 2014.
Since 2011 he is professor for typography and editorial design at the Dortmund University of Applied Sciences & Art and was Associate Professor at the American University of Sharjah (2018).
He also is curator of the artist book series 100for10 and co-founder of Poster Rex, a silkscreen poster project. Harmsen is author and designer of numerous books on design, typography and photography. His work has been awarded nationally and internationally.
Clients
Slanted, Adidas, Canon, Prestel, Makers Bible, 100for10
Awards
ADC Wettbewerb, Deutscher Designer Club, ADC of Europe, Annual Multimedia, Berliner Type, Designpreis der Bundesrepublik Deutschland, European Design Awards, German Design Award, Gregor International Calendar Award, iF communication design award, Lead Awards, Red Dot Award Communication Design, Tokyo TDC, Type Directors Club NY, Werkbund Label
More Speakers and Mentors
Patryk
Hardziej
In Poland after World War II, many designers were active in creating graphic symbols. Due to specific political conditions, these projects could be much more free and artistic than in the West. Besides the Polish poster, it is the graphic symbol that is particularly noteworthy when it comes to design in Poland.
Ian
Lynam
There are three different reading directions for typeset Japanese!
Te Ming
Wang
Taiwan's design culture integrates influences from diverse cultures, including Chinese, Japanese, Western, and indigenous elements, creating a unique and multifaceted style. Additionally, Taiwanese designers emphasize refinement and intricacy, often incorporating local cultural elements such as temple fairs, calligraphy, and traditional crafts into their designs, highlighting cultural heritage. The design industry in Taiwan is closely linked with the technology sector, demonstrating competitiveness in UI/UX design and smart product design. These characteristics may not be fully understood or recognized internationally. Furthermore, Taiwanese design is often influenced by social and political contexts, reflecting concerns about issues such as the environment and local identity.
Dohee
Lee
As someone who studied design at a university in Korea, I’ve observed that there are a vast number of design schools in the country. Considering Korea's population size, the number of design graduates is quite substantial. I find this to be an interesting fact when it comes to understanding the Korean design scene.