Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
© 2024 Polish Graphic Design Foundation. All rights reserved.
Motto
When you meet people of exceptional character, think how you can become their equal. When you meet people of poor character, look inside and examine yourself.
Taiwan
Te Ming
Wang
Design
Web Design、Infographic Design、Book and Editorial Design
Bio
The founder and design director of U VISUAL serves as the chairman of the Taiwan Graphic Design Association and is a judge for various competitions and academic institutions in related fields.
As a professional designer deeply rooted in the design industry, they are highly active in the field of design.
With expertise in comprehensive brand planning, they have assisted numerous brand enterprises and led the U VISUAL team to win multiple international awards.
Clients
Government Agency, Food Industry, Construction Company
Awards
A Design Award, DFA Design For Asia Award, Gloden Pin Design Award, Good Design Award, iF Design, Indigo Design Award, MUSE Creative Award, Red Dot Award, Taipei International Design Award, Taiwan International Graphic Design Award
More Speakers and Mentors
Mateusz
Machalski
I think that Polish design is mainly associated with the Polish school of posters – and this is definitely superficial, because we had very good illustrators and an extremely interesting history of typography and the geopolitical changes that influenced its development.
Ada
Zielinska
People from other countries might not know that the design culture in Poland is deeply rooted in both tradition and innovation. The iconic Polish School of Poster, which emerged in the mid-20th century, remains influential, known for its unique blend of surrealism, symbolism, and minimalism. Another lesser-known aspect is the role of graphic design. While Polish posters have gained international recognition, graphic design, including elements like logos, packaging, and printed materials, has only recently been rediscovered and appreciated. Polish graphic design icons such as Karol Śliwka, Jerzy Treutler, and Roman Duszek are behind these influential works.
Jan
Diehl-Michalowski
In Poland, design is still in the development phase and there is currently no one specific dominant style characteristic only of our country. Until recently, we were trying to design correctly, and now we are looking at how to design incorrectly.
Patryk
Hardziej
In Poland after World War II, many designers were active in creating graphic symbols. Due to specific political conditions, these projects could be much more free and artistic than in the West. Besides the Polish poster, it is the graphic symbol that is particularly noteworthy when it comes to design in Poland.