Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
Web Design、Infographic Design、Book and Editorial Design
The founder and design director of U VISUAL serves as the chairman of the Taiwan Graphic Design Association and is a judge for various competitions and academic institutions in related fields.
As a professional designer deeply rooted in the design industry, they are highly active in the field of design.
With expertise in comprehensive brand planning, they have assisted numerous brand enterprises and led the U VISUAL team to win multiple international awards.
Government Agency, Food Industry, Construction Company
A Design Award, DFA Design For Asia Award, Gloden Pin Design Award, Good Design Award, iF Design, Indigo Design Award, MUSE Creative Award, Red Dot Award, Taipei International Design Award, Taiwan International Graphic Design Award
Polish design consistently marks its presence on global markets, combining diferent perspectives that reflects the cultural context of Poland, while perfectly adapting to the expectations of customers from all over the world. Today polish design not only draws on its history and regional motifs, creatively reinterpreting patterns from the past, but also develops by embracing new values like: innovation, responsibility, resourcefulness, locality, and nostalgia.
Though this is about illustration, I think there is a tendency to prefer narrative and explanatory elements over visual (graphical ) interest. (But maybe things have changed a bit recently?)
It's not unique to Korea; a one-sided relationship has no future, so please work with people who respect and acknowledge each other's value.
In Poland after World War II, many designers were active in creating graphic symbols. Due to specific political conditions, these projects could be much more free and artistic than in the West. Besides the Polish poster, it is the graphic symbol that is particularly noteworthy when it comes to design in Poland.