Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
Web Design、Infographic Design、Book and Editorial Design
The founder and design director of U VISUAL serves as the chairman of the Taiwan Graphic Design Association and is a judge for various competitions and academic institutions in related fields.
As a professional designer deeply rooted in the design industry, they are highly active in the field of design.
With expertise in comprehensive brand planning, they have assisted numerous brand enterprises and led the U VISUAL team to win multiple international awards.
Government Agency, Food Industry, Construction Company
A Design Award, DFA Design For Asia Award, Gloden Pin Design Award, Good Design Award, iF Design, Indigo Design Award, MUSE Creative Award, Red Dot Award, Taipei International Design Award, Taiwan International Graphic Design Award
History of Korean design and Hangul(Korean Letter), conservatism of Korean culture.
In Poland after World War II, many designers were active in creating graphic symbols. Due to specific political conditions, these projects could be much more free and artistic than in the West. Besides the Polish poster, it is the graphic symbol that is particularly noteworthy when it comes to design in Poland.
Though this is about illustration, I think there is a tendency to prefer narrative and explanatory elements over visual (graphical ) interest. (But maybe things have changed a bit recently?)
I think that Polish design is mainly associated with the Polish school of posters – and this is definitely superficial, because we had very good illustrators and an extremely interesting history of typography and the geopolitical changes that influenced its development.