Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
© 2024 Polish Graphic Design Foundation. All rights reserved.
Motto
The design has to be fun, otherwise it doesn't make sense.
Poland
Jan
Diehl-Michalowski
Design
Branding
Bio
Jan is a graphic designer, founder of deal design • studio and academic lecturer (PhD in Arts). He deals with visual communication, branding and typography.
Graduate of the Faculty of Media Art at the Academy of Fine Arts in Warsaw, BA (2013). Studied at the Higher School of Decorative Arts in Strasbourg (2012-2013) and at the Sorbonne (Paris III – Sorbonne Nouvelle) Master 1 – cultural mediation (2015). Master's degree at the Faculty of Design at the Academy of Fine Arts in Warsaw (2017). PhD defended at the Faculty of Interior Design at the Academy of Fine Arts in Warsaw (2018-2022).
He is an assistant professor at the Academy of Technology and Arts in Warsaw, lecturing in the field of design and interior architecture. He teaches at the Faculty of Interior Design of the Academy of Fine Arts in Warsaw on part-time and postgraduate studies. He has lectured, among others, in Georgia: Caucasus University (2024), Belgium: Royal Academy of Fine Arts Antwerp (2023), Portugal: Faculty of Architecture, University of Lisbon (2023), in China: Zhengzhou University of Aeronautics (2019-2022), in Germany: Hochschule Düsseldorf (2020), in Armenia: Yerevan State University of Architecture and Construction (2019, 2023) and in France: École National Supérieure d’Art, Dijon (2018).
Clients
Museum of Modern Art in Warsaw, The Gallery Studio Theatre, Polish Academy of Sciences, Gombrowicz Museum, The Polish Centre of Mediterranean Archaeology
Awards
Polish Poster Biennale, The Project of the Year, Polish Graphic Design Awards, Fonts in use
More Speakers and Mentors
Mateusz
Machalski
I think that Polish design is mainly associated with the Polish school of posters – and this is definitely superficial, because we had very good illustrators and an extremely interesting history of typography and the geopolitical changes that influenced its development.
Patryk
Hardziej
In Poland after World War II, many designers were active in creating graphic symbols. Due to specific political conditions, these projects could be much more free and artistic than in the West. Besides the Polish poster, it is the graphic symbol that is particularly noteworthy when it comes to design in Poland.
Jan
Diehl-Michalowski
In Poland, design is still in the development phase and there is currently no one specific dominant style characteristic only of our country. Until recently, we were trying to design correctly, and now we are looking at how to design incorrectly.
Lars
Harmsen
Many people think we Germans are perfect. What nonsense!