Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
彼女のイラストは、書籍、広告、雑誌、ウェブサイト、パッケージ、CD、新聞などに含まれています。
彼女は作品を展示し、ニューヨークADC賞を含む多くの賞を日本国内外で受賞しています。
Though this is about illustration, I think there is a tendency to prefer narrative and explanatory elements over visual (graphical ) interest. (But maybe things have changed a bit recently?)
Polish design culture is deeply rooted in a rich tradition of poster art, known as the "Polish School of Poster Art," a movement that combined bold graphics and a strong sense of symbolism to convey complex messages with minimal resources. Contemporary Polish design often draws inspiration from this heritage, including "designing by hand", while blending it with a modern, digital aesthetic.
It's not unique to Korea; a one-sided relationship has no future, so please work with people who respect and acknowledge each other's value.
As someone who studied design at a university in Korea, I’ve observed that there are a vast number of design schools in the country. Considering Korea's population size, the number of design graduates is quite substantial. I find this to be an interesting fact when it comes to understanding the Korean design scene.