Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
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Motto
Japan
Akiyama
Hana
Design
Bio
彼女のイラストは、書籍、広告、雑誌、ウェブサイト、パッケージ、CD、新聞などに含まれています。
彼女は作品を展示し、ニューヨークADC賞を含む多くの賞を日本国内外で受賞しています。
Clients
Awards
More Speakers and Mentors
Mateusz
Machalski
I think that Polish design is mainly associated with the Polish school of posters – and this is definitely superficial, because we had very good illustrators and an extremely interesting history of typography and the geopolitical changes that influenced its development.
Patryk
Hardziej
In Poland after World War II, many designers were active in creating graphic symbols. Due to specific political conditions, these projects could be much more free and artistic than in the West. Besides the Polish poster, it is the graphic symbol that is particularly noteworthy when it comes to design in Poland.
Yui
Takada
The typsetting is unique. The ability to use hiragana, katakana, kanji, and alphanumeric characters in both vertical and horizontal writing is, we feel, unique in Japanese design culture.
Dohee
Lee
As someone who studied design at a university in Korea, I’ve observed that there are a vast number of design schools in the country. Considering Korea's population size, the number of design graduates is quite substantial. I find this to be an interesting fact when it comes to understanding the Korean design scene.