Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
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Motto
Japan
Kuroda
Airi
Design
Bio
雑誌のイラストから広告まで、さまざまな分野で活動しています。
彼女の作品は、多くの個展やグループ展に出展されています。
Clients
Awards
More Speakers and Mentors
HyoJun
Shim
It's not unique to Korea; a one-sided relationship has no future, so please work with people who respect and acknowledge each other's value.
Jan
Diehl-Michalowski
In Poland, design is still in the development phase and there is currently no one specific dominant style characteristic only of our country. Until recently, we were trying to design correctly, and now we are looking at how to design incorrectly.
Bartlomiej
Witanski
I have the impression that design culture in Poland has been changing in a good way over the last few years. Increasingly, clients see value in what we do and appreciate it. Of course, there will also be people who do not fully value our work, in which case it is better to let such a project go.
Ada
Zielinska
People from other countries might not know that the design culture in Poland is deeply rooted in both tradition and innovation. The iconic Polish School of Poster, which emerged in the mid-20th century, remains influential, known for its unique blend of surrealism, symbolism, and minimalism. Another lesser-known aspect is the role of graphic design. While Polish posters have gained international recognition, graphic design, including elements like logos, packaging, and printed materials, has only recently been rediscovered and appreciated. Polish graphic design icons such as Karol Śliwka, Jerzy Treutler, and Roman Duszek are behind these influential works.