Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
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Motto
A valid form of unity can be found.
South Korea
Dohee
Lee
Design
Bio
Dohee Lee (she/her) is a Seoul and New York-based typeface designer and founder of Leedotype Co., Ltd., specializing in multilingual type design with a focus on Hangul and Latin scripts.
She holds a BA in Visual Communication Design from Seoul National University and began her career as a type designer at Sandoll Inc., one of South Korea's leading type foundries. With extensive industry experience, she has collaborated with major clients such as IBM, Hyundai Motors, Toss, Microsoft, Danggeun Market, Miwon, Yeogi Eottae, RidiBooks, and the Seoul Metropolitan Government.
Beyond her design work, she shares her expertise through online courses at Coloso and workshops at Hongik University and Seoul National University. In 2019, she co-founded Leedotype with her partner Hyunwoong Kang, a font engineer and drummer for Band Nah. Leedotype operates from its office in Yeonhui-dong, Seoul, utilizing remote collaboration to deliver multi-script type design projects. Their combined expertise in design and technology drives projects aimed at optimizing font usability and enhancing user experiences.
Clients
IBM, HYBE, Hyundai, Toss, Burger King, Danggeun Market
Awards
Granshan Type Design Competition, iF Design Award, K Design Award, KFA New Wave Font Award
More Speakers and Mentors
Ksawery
Komputery
Poland's design culture is deeply rooted in its rich history and traditions, blending modern aesthetics with folk art. One aspect that people from other countries might not know is the strong influence of Polish Poster Art, which emerged in the mid-20th century and is characterized by its unique combination of simplicity, bold colors, and surreal elements. Additionally, Polish designers often draw inspiration from the country's turbulent history and diverse architecture, creating works that are both innovative and reflective of Poland's cultural heritage.
Zofia
Dzierzawska-Bojanowska
Polish design history has been very tumuluous and directly related to the country's history and political systems.
Oksana
Shmygol
While the most known and celebrated inspirations from the Polish graphic design history is the 1950-80s Polish School of Posters, there is also a less known history of great logo design and typography, which we only started discovering recently. Nowadays Poland has amazing and internationally renowned designers in different fields - illustration, branding, typography and more. The community of professionals - individual designers and studios - is strong and friendly, we learn from each other and give each other advice, but also consciously build market standards together.
Yui
Takada
The typsetting is unique. The ability to use hiragana, katakana, kanji, and alphanumeric characters in both vertical and horizontal writing is, we feel, unique in Japanese design culture.