Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
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Motto
Japan
Kiyonori
Muroga
Design
Bio
Editor, writer, educator. He has worked on publication and projects on graphic design, typography, and visual culture. He recently co-directed “Modes and Characters: Poetics of Graphic Design” (21_21 DESIGN SIGHT). Editor-in-chief of The Graphic Design Review (JAGDA). Former editor-in-chief of IDEA magazine.
Clients
Awards
More Speakers and Mentors
Patryk
Hardziej
In Poland after World War II, many designers were active in creating graphic symbols. Due to specific political conditions, these projects could be much more free and artistic than in the West. Besides the Polish poster, it is the graphic symbol that is particularly noteworthy when it comes to design in Poland.
Te Ming
Wang
Taiwan's design culture integrates influences from diverse cultures, including Chinese, Japanese, Western, and indigenous elements, creating a unique and multifaceted style. Additionally, Taiwanese designers emphasize refinement and intricacy, often incorporating local cultural elements such as temple fairs, calligraphy, and traditional crafts into their designs, highlighting cultural heritage. The design industry in Taiwan is closely linked with the technology sector, demonstrating competitiveness in UI/UX design and smart product design. These characteristics may not be fully understood or recognized internationally. Furthermore, Taiwanese design is often influenced by social and political contexts, reflecting concerns about issues such as the environment and local identity.
Ian
Lynam
There are three different reading directions for typeset Japanese!
Daeki
Shim
It's not unique to Korea; a one-sided relationship has no future, so please work with people who respect and acknowledge each other's value.