Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
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Motto
I came for love and I stayed for the food... then I found love again.
Japan
Ian
Lynam
Design
Design Research
Bio
Ian Lynam works at the intersection of graphic design, design education and design research.
He is faculty at Temple University Japan, as well as at Vermont College of Fine Arts in the MFA in Graphic Design Program. He operates the Tokyo design studio Ian Lynam Design, working across identity, typography, and design research.
Ian writes for IDEA (JP), Modes of Criticism (PT/UK), Slanted (DE) and has published a number of books about design.
Clients
DOTA2 typeface design, Google Tokyo interior graphics, Nestle typeface design, Ovice corporate identity, Impossibility of Silence: Writing for Designers, Artists & Photographers book, Icelandic corporate identity
Awards
STA100, D&AD, Asia Pacific Design Awards, VH1 HipHop Honors, Mead Show
More Speakers and Mentors
Yoshiko
Hada
Though this is about illustration, I think there is a tendency to prefer narrative and explanatory elements over visual (graphical ) interest. (But maybe things have changed a bit recently?)
Youl
Joe
History of Korean design and Hangul(Korean Letter), conservatism of Korean culture.
Patryk
Hardziej
In Poland after World War II, many designers were active in creating graphic symbols. Due to specific political conditions, these projects could be much more free and artistic than in the West. Besides the Polish poster, it is the graphic symbol that is particularly noteworthy when it comes to design in Poland.
Dohee
Lee
As someone who studied design at a university in Korea, I’ve observed that there are a vast number of design schools in the country. Considering Korea's population size, the number of design graduates is quite substantial. I find this to be an interesting fact when it comes to understanding the Korean design scene.