Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
© 2024 Polish Graphic Design Foundation. All rights reserved.
Motto
Design is intelligence made visible.
Poland
Ksawery
Komputery
Design
Light Installations
Bio
Ksawery Kirklewski is creative coding and new media artist.
Author of interactive light installations, music videos, generative animations, phygital sculptures, and realizations in public space. In his activities, he uses new technologies, programming and advertising media, focusing mostly on the digital and generative art field.
His most recent projects include: interactive light installations FLUX (Miami Art Week 2022, Signal Festival Prague 2023, Vilnius Light Festival 2024), ENTER (NXT Museum Amsterdam, Khroma New Media Museum in Berlin) and LOTUS (LOTUS brand store on Paris Fashion Week 2023); music video Symphony in Acid (Max Cooper); collectible phygital sculptures CTRL_DAT (Kate Vass Gallerie in Zurich), Digital/Analog Mirror, and BANNERS.
Clients
Awards
More Speakers and Mentors
Youl
Joe
History of Korean design and Hangul(Korean Letter), conservatism of Korean culture.
Miroslaw
Klis
In the world of graphic design Poland is known for Polish School of Posters active in 1950s-1980s with expressive solutions based mainly on illustration. In the last years we finally started discovering the unknown heritage in logo design and typography with great masters such as Karol Śliwka, Ryszard Bojar and many more.
Ksawery
Komputery
Poland's design culture is deeply rooted in its rich history and traditions, blending modern aesthetics with folk art. One aspect that people from other countries might not know is the strong influence of Polish Poster Art, which emerged in the mid-20th century and is characterized by its unique combination of simplicity, bold colors, and surreal elements. Additionally, Polish designers often draw inspiration from the country's turbulent history and diverse architecture, creating works that are both innovative and reflective of Poland's cultural heritage.
Jakub
Kozniewski
We're getting there.