Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
Freelance illustrator based in Tokyo. Dropped out of the Visual Communication Design Department at Musashino Art University.
With the motto that graphics have the power to change something, She provides illustrations for a wide range of media, including posters, packages, CD/DVD jackets, miscellaneous goods, and textiles, both domestically and internationally. She also has a wide range of activities, including actively participating in overseas exhibitions, workshops, and conferences.
She draws illustrations while being surprised and moved by the coincidences that happen on paper. It may be similar to the innocent joy a child feels when touching clay for the first time. These slightly strange creatures born through her hands out of nowhere, beyond her consciousness, are like an extension of a child's doodles, like music, or like alchemy to make something wonderful out of the monotonous daily life.
Itabashi Art Museum, Paris Baguette Jeju garden store, Halcyon Night, IIIVIVINIKO, Fine Little Day, Potatokids
MJ Award, Bologna Children's Book Fair Illustrators Exhibition, ILUSTRARTE, The Choice, TIS Competition, Illust-Note Note-Exhibition
In Poland, design is still in the development phase and there is currently no one specific dominant style characteristic only of our country. Until recently, we were trying to design correctly, and now we are looking at how to design incorrectly.
In the world of graphic design Poland is known for Polish School of Posters active in 1950s-1980s with expressive solutions based mainly on illustration. In the last years we finally started discovering the unknown heritage in logo design and typography with great masters such as Karol Śliwka, Ryszard Bojar and many more.
Poland's design culture is deeply rooted in its rich history and traditions, blending modern aesthetics with folk art. One aspect that people from other countries might not know is the strong influence of Polish Poster Art, which emerged in the mid-20th century and is characterized by its unique combination of simplicity, bold colors, and surreal elements. Additionally, Polish designers often draw inspiration from the country's turbulent history and diverse architecture, creating works that are both innovative and reflective of Poland's cultural heritage.
The typsetting is unique. The ability to use hiragana, katakana, kanji, and alphanumeric characters in both vertical and horizontal writing is, we feel, unique in Japanese design culture.